The Vorrh by Brian Catling – Review

“My name is Muybridge and here’s the answer to the letter you sent my wife.” The trigger pulls, the muzzle flashes, the bullet cracks, and Major Harry Larkyns is dead – shot at point-blank range in an act of pre-meditated vigilantism. This event is not fiction. It happened in California on October 17th, 1874. The … Continue reading The Vorrh by Brian Catling – Review

The State of Fantasy: Videogame News from the Scrying Glass of E3

This article refers to news from the Electronic Entertainment Expo (E3) held in Los Angeles in June 2014. Fantasy has always been a salient feature in the videogame landscape, right down to the essential footprint of guiding an idealised persona through an imagined world. The hallmarks of fantasy – high fantasy especially – have become … Continue reading The State of Fantasy: Videogame News from the Scrying Glass of E3

Love and Eskimo Snow by Sarah Holt – Review

Ideas-driven fiction is perilous ground for writers at any stage of their career. It poses the constant challenge of balancing the insistent voice of theme with the integral components of the story itself – character, plot and pacing. Too much theme, and you risk turning your fiction into a political pamphlet – too much story, … Continue reading Love and Eskimo Snow by Sarah Holt – Review

Ganondorf and the Hardcore in Zelda: The Wind Waker

SPOILER WARNING: Contains plot spoilers for Zelda: The Wind Waker and Zelda: Twilight Princess. Although if you haven’t played these by now, WHAT THE HELL. It’s 2003. A young, wide-eyed Link ascends into a shipwreck penthouse atop a crooked tower. Ahead of him stands a dark, perplexingly fat figure, as misshapen as his home, and … Continue reading Ganondorf and the Hardcore in Zelda: The Wind Waker

The Problem with Ideas-Driven Fiction (And How to Fix it)

Theme folds in meaning to our writing and gives a recognisable shape to the underlying structures that form the narrative. Without theme the narrative can feel flat or disjointed, but a strong theme provides an overall consistency that holds everything in place. Scenes, characters, and events take on new poignancy, attracting deeper sympathies. Most importantly, … Continue reading The Problem with Ideas-Driven Fiction (And How to Fix it)